A Soviet YA Classic: Aleksandra Brushtein’s Дорога уходит в даль (The Road Goes off into the Distance)

It is hard to overstate just how much Aleksandra Brushtein’s autobiographical novel about Aleksandra (Sasha) Yanovskaya, a young Jewish girl growing up in Vilna at the turn of the century, was beloved by generations of Soviet children. At a time when I have completely forgotten plots of books I read much later, I can still recall various episodes from this one. A copy of the book, which my family took with us when we left the Soviet Union, is one of my prized possessions. My mom loved this book so much she wanted to name me Sasha (an attempt ended by my great-grandmother Aleksandra’s announcement post my birth that Ashkenazi Jews cannot name children after living relatives). A remarkable thing about this novel is that it has a Jewish protagonist and depicts Jewish life but still became so popular in a country as anti-Semitic as the Soviet Union. Its popularity has endured in contemporary Russia, where “since 2005, a new printing of the book by different publishers has appeared almost every two years,” including an annotated edition.

Yet as Liza Rozovsky’s article notes, Brushtein “is barely known outside the Russian-speaking world.” To date, there is no English translation. If there is a translator out there who could take on this project, many in the diaspora would be eternally grateful on behalf of their children and their English-speaking friends’ children. In any case, it’s great to see this book being written about at length and we — and our inner younger selves — are thrilled to highlight it on Punctured Lines.

“The book that is imprinted in my memory as a moral and political compass, and the book I would like my children to know, is a Soviet-era work for children and juveniles titled “The Road Slips Away into the Distance.” It’s an autobiographical trilogy by the Jewish children’s playwright and memoirist Aleksandra Brushtein, who is barely known outside the Russian-speaking world. The first volume of the work was translated into Hebrew in the 1980s, but Brushtein (1884-1968) remains unknown in Israel, too. In the Soviet Union, where it ran through many editions of tens of thousands of copies each, the trilogy achieved cult status.”

The Novel That Introduced Soviet Jews to Their Forgotten History

Yelena Furman on Olga Zilberbourg’s Like Water and Other Stories

“In ‘Rubicon,’ which opens Olga Zilberbourg’s Like Water and Other Stories, the narrator, on her way to pick up her son from preschool, says, ‘spring came on hard and much too early this year, which must be why the dimensions of reality shifted.’ If the story’s realistic beginning gives the impression that this shift is figurative, it soon becomes apparent that reality really does alter: on a street in San Francisco, a young man she knew back in 1990s Russia, who is ‘still seventeen on this day in 2018,’ drives up to hand her a ‘TDK compact cassette, the exact kind he and I used to exchange in high school.'”

http://jordanrussiacenter.org/news/review-olga-zilberbourgs-english-language-debut-like-water-and-other-stories/#.XaItf0ZKiyI  

Yelena Furman on Ksenia Buksha’s “The Freedom Factory”

“A NOVEL ABOUT a Soviet military factory whose workers must eventually adjust to a post-Soviet way of life does not sound like a thrilling read. Yet there’s a very good reason why Ksenia Buksha’s The Freedom Factory (Zavod “Svoboda”) won Russia’s National Bestseller Prize in 2014 (Buksha is only the second of three women to do so since the prize’s founding in 2001) and was also a finalist for the Big Book Award. In the author’s hands, this unpromising raw material is skillfully transformed into a genuinely and unexpectedly compelling narrative.” 

https://lareviewofbooks.org/article/shintity-fug-these-vulstes-on-ksenia-bukshas-the-freedom-factory

Olga Tokarczuk Wins the Nobel Prize

The Nobel winners have been announced and Olga Tokarczuk of Poland has won for 2018 (there was no prize given out last year because the Swedish Academy was mired in a sexual assault scandal; with the announcement of the winner for 2019, it quickly became mired in a genocide denial scandal). Tokarczuk is the author of Flights (trans. Jennifer Croft), which won the Man Booker International Prize in 2018, and Drive Your Plow Over the Bones of the Dead (trans. Antonia Lloyd-Jones; both out from Riverhead Books).

You can read Tokarczuk’s statement about receiving the prize here: https://lithub.com/read-olga-tokarczuks-response-to-winning-the-nobel-prize/

And here is an excerpt from Flights: https://www.asymptotejournal.com/fiction/olga-tokarczuk-flights/

New Book: Katia Raina’s Castle of Concrete

Thanks to Lea Zeltserman and her Soviet Samovar newsletter for the mention of this novel. This is labeled as “Young Adult,” which means might fly under the radar when I look at reviews of contemporary fiction. This also means, it might be a gripping and fast-paced read. The description and preview of the first few pages are certainly promising.

Sonya is a daughter of a “dissident poetess moneyless famous jobless” mother, who had nearly aborted her. Jewish, too–being Jewish in the Soviet Union seems to be a major theme of this book. The novel takes place just before the collapse of the Soviet Union, and emigration looms large. Sounds both familiar and intriguing.

Publisher: Young Europe Books

Agent: Jessica Regel

Russian Samizdat, Children’s Literature, and the Sunset Years of the Soviet Empire

Olga Bukhina wrote a fascinating piece on the C.S. Lewis’s Chronicles of Narnia in the Soviet Union. My parents were regular consumers of Samizdat, but I don’t remember seeing the Narnia books in their hands — perhaps, it’s the overtly Christian message that put them off. My parents weren’t interested in religion or science fiction, but I was, and just a few years later I devoured Lord of the Rings when it was officially published in 1991. (Of course, it’s entirely possible that my parents read it without my knowledge. Parents are apt to do things like that…)

https://childlitassn.wixsite.com/intlcommittee/single-post/2019/09/25/Russian-Samizdat-Children%E2%80%99s-Literature-and-the-Sunset-Years-of-the-Soviet-Empire

Narnia was not just a religious threat; in the Soviet context, it was clearly political. The message of these fairytales turned out to be much more dangerous than particular words and images that could be eliminated by censorship. The words of the faun Mr. Tumnus, “It is winter in Narnia, and has been for ever so long… Always winter and never Christmas; think of that,” in The Lion, the Witch and the Wardrobe (The Chronicles of Narnia. New York: HarperCollins Publisher, 2001, p. 118), resonated to the reader as an image of the Soviet political winter without any hope for change; the change being symbolized by Christmas.

British Library hosts English-language presentation of Kazakh literature

The British Library held an event last month to promote literature from Kazakhstan as part of the project “Contemporary Kazakh Culture in The Global World.” It was the launch of two anthologies, one of prose and another of poetry, that were translated into English. The “anthologies, which are 500 pages each and include works by 60 Kazakh poets and writers, are being translated into the six official languages of the United Nations: Arabic, Chinese, English, French, Russian and Spanish.” Cambridge University Press is the publisher of the English translations. 

According to the article, the “Contemporary Kazakh Culture in The Global World project is part of the Ruhani Zhangyru (Modernisation of Kazakhstan’s Identity) programme, which seeks to preserve and popularise the country’s historical and cultural heritage.”

Promoting lesser-known literatures is a laudable goal and something sorely needed in the West. But as with all projects that seek to project an image of a particular country, we need to be asking what type of image is being projected and for what reason(s), which voices are included and which left out. Of course, it is impossible to answer these questions until these anthologies become available. A project to keep an eye out for.

https://astanatimes.com/2019/09/british-library-hosts-english-language-presentation-of-kazakh-literature/

Jennifer Eremeeva’s Lenin Lives Next Door: Marriage, Martinis, and Mayhem in Moscow

As a response to our first publicity efforts for this blog, Yelena and I received a tweet from Jennifer Eremeeva, an expat who moved from the US to Russia. In 2014, she published a book of short stories about her protagonist, also named Jennifer, who was a Russia super-fan in the 1980s, started learning the language and traveling around the Soviet Union on the eve of its dissolution–then met a man she fell in love with, and married him, and ended up staying for twenty years.

I’ve just started reading this book on Amazon, and this seems a page-turner. Jennifer is a keen observer and a natural storyteller, with a sharp sense of humor and attention to the nuance of language and culture. And she’s got so many interesting stories to tell!

Author: Jennifer Eremeeva

Title: Lenin Lives Next Door: Marriage, Martinis, and Mayhem in Moscow

Publisher: Small Batch Books

Pub date: February 3, 2014

An early reader’s review of Hamid Ismailov’s Of Strangers and Bees in Shelley Fairweather-Vega’s translation

David Chaffetz writes for Asian Review of Books:

“One could characterize the overall effect as Master and Margarita comes to the Uzbek Cultural Center of Queens, NY. The poet’s profusion of words underscores his passion for his experience as a child growing up in the fields of Transoxiana, the insouciance of being a state-sponsored intellectual, the desperation of being a stateless person in rigidly bourgeois Europe.”

Upcoming Book: Lara Vapnyar’s Divide Me by Zero

I’m thrilled to report that Tin House is publishing Lara Vapnyar’s new novel. It’s available on pre-order, and I recommend that you pre-order it now to make sure to reserve your copy!

As a reformed math school student (Leningrad, 239 shkola), I can never get enough of math stories in fiction. The publisher’s description makes this book sound delicious:

As a young girl, Katya Geller learned from her mother that math was the answer to everything. Now, approaching forty, she finds this wisdom tested: she has lost the love of her life, she is in the middle of a divorce, and has just found out that her mother is dying. Half-mad with grief, Katya turns to the unfinished notes for her mother’s last textbook, hoping to find guidance in mathematical concepts.

With humor, intelligence, and unfailing honesty, Katya traces back her life’s journey: her childhood in Soviet Russia, her parents’ great love, the death of her father, her mother’s career as a renowned mathematician, and their immigration to the United States. She is, by turns, an adrift newlywed, an ESL teacher in an office occupied by witches and mediums, a restless wife, an accomplished writer, a flailing mother of two, a grieving daughter, and, all the while, a woman in love haunted by a question: how to parse the wild, unfathomable passion she feels through the cool logic of mathematics?