How Moscow’s 1957 World Youth Festival Inspired Me to Go On Pretending: Guest Essay by Alina Adams

Today we welcome Alina Adams back to the blog with an essay about her interracial family’s trip to Moscow (before the war in Ukraine) and its connection to her recently released novel, Go On Pretending (History Through Fiction, 2025), featuring a fictional interracial family. You can read our previous conversations with Alina here and here. As one of the excerpts below shows, a key element in her novel is the 1957 World Youth Festival in Moscow, during Khrushchev’s Thaw, which was meant to demonstrate the Soviet Union’s liberalization and racial tolerance (you can guess how that turned out). The reference to the festival immediately made me think of a different novel by another ex-Soviet Jewish immigrant writer in which it is an important plot element: Petropolis (Penguin Random House, 2008) by Anya Ulinich. If you would like to know more about this lesser-known event and about the Soviet Union/post-Soviet Russia and race, let Alina explain below and then order Go On Pretending (and Petropolis).

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Video from Born in the USSR: Diaspora Writers Against War

Thanks to those of you who could attend our event, Born in the USSR: Diaspora Writers Against War, hosted by the Wende Museum on March 28. We loved having you as our audience and hope to continue the conversations in various ways.

Thank you for donating to Ukraine Trust Chain. Ukraine needs all of our support. Please continue to spread the word and donate here: https://www.ukrainetrustchain.org/

The video from our event is now online:

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Born in the USSR: Diaspora Writers Against War

This one of a kind reading brings together Soviet-born writers as they weave together an intricate story of identity, memory, cultural intersections, immigration, and war. From fiction to poetry, memoir and journalism, and work in translation, the reading presents a deep dive into the individual and collective experiences of the Soviet-born diaspora in the U.S. This free event includes a fundraiser in support of humanitarian aid in Ukraine and aligns with The Wende Museum’s current exhibition “Undercurrents II: Archives and the Making of Soviet Jewish Identity.” Autographed books will be on sale, courtesy of Village Well.

Hosted by The Wende Museum, readers include poets, writers, and translators: Katya Apekina, Yelena Furman, Kristina Gorcheva-Newberry, Julia Kolchinsky, Arina Kole, Maria Kuznetsova, Olga Livshin, Ruth Madievsky, Ainsley Morse, Luisa Muradyan, Jane Muschenetz, Asya Partan, Irina Reyn, Diana Ruzova, Timmy Straw, Vlada Teper, Sasha Vasilyuk, and Olga Zilberbourg.

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Narrating a Violent Childhood: A Q&A with Fiona Bell and Margarita Vaysman about Avdotya Panaeva’s The Talnikov Family

Avdotya Panaeva was born in 1820 and first began publishing her work in one of Russia’s premier literary magazines, Sovremennik, in 1846. The author of numerous short stories, novels, memoirs, as well as collaborative projects, she has only recently begun to achieve the recognition that she deserves in the English-speaking world.

On October 8, 2024, Columbia University Press published Fiona Bell’s translation of Panaeva’s first novel, The Talnikov Family. This became the second full-length translation of Panaeva’s work to English. In my review of the book in On the Seawall, I mention several social and historical factors that have kept this delightful novel from English-language readers for so long. In writing about this book, I have relied, in part, on Bell’s introduction to the novel and on the research by Margarita Vaysman, whose book Self-Conscious Realism: Metafiction and the Nineteenth-Century Russian Novel devotes a section to Panaeva’s work, including an excerpt that ran in Punctured Lines.

Today, it is my pleasure to discuss this novel and Panaeva’s work more broadly with her translator Fiona Bell and scholar Margarita Vaysman.

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Responding to Marat Grinberg’s The Soviet Jewish Bookshelf

Marat Grinberg’s academic volume The Soviet Jewish Bookshelf (The Tauber Institute Series for the Study of European Jewry, Brandeis UP, 2022) is an important book for the authors of this blog for personal and professional reasons as it reflects on a large body of work that we grew up with and have returned to in professional contexts. In its contributions toward re-defining Soviet Jewish identity in positive terms–as thick and multidirectional–it allows us to reshape our personal narratives and forge a path toward future research and creative projects.

Today we’re highlighting our responses to this book and encourage our readers to continue this conversation.

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2025 Books by Post-Soviet Authors

2025 is going to be a big year for books written by immigrant authors hailing from the Soviet Union who now call North America home. Since 2021, I’ve kept a running list of books coming out from our community as a way to keep tabs and, frankly, because no one else was doing it. Last year, when my own debut novel came out, there were only 7 books out from our community, a couple of them paperback editions of 2023 novels. This year, however, we have twelve new titles, plus three books–including my own–being released in paperback. A recent record! I imagine the war in Ukraine might have had something to do with this increased output as several of the authors below engage with the war and the resulting refugee crisis. As the war drags on and the public’s attention on it wanes, this feels like an especially critical time for our voices to be heard. This is why I’m glad to see that our books are finding publishers and readers, and I hope that the incredible variety of books on this list is encouraging to other writers in our community. From poetry to dystopian novels to short story collections, nonfiction, and a cookbook memoir, check out the list of FSU books and please support these authors by pre-ordering.

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I Think that Everything I Do Is a Form of Translation: A Conversation with Michele A. Berdy

We at Punctured Lines are thrilled to feature a conversation with Michele A. Berdy, longtime editor and columnist for The Moscow Times, now living in Riga, Latvia. Given both the political and personal upheavals of the last few years, this interview was long in the making. We are so glad to now publish this wide-ranging discussion about, among other things, cataclysmic changes, Soviet life hacks, art and culture, and of course, the war in Ukraine; there are many organizations you can support, including this one. This interview was conducted over email.

Yelena Furman: Let’s start with your intriguing reverse immigration story: you left the U.S. in 1978 to live in what was then the Soviet Union (the same year, as it happens, that my family left Soviet Ukraine for the U.S.). What inspired you to make that move, several years before the country began opening up under Gorbachev?

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A Character with a Secret Is an Easy Sell: A Conversation with Sasha Vasilyuk, by Olga Zilberbourg

A new novel set in World War II enters a crowded and hotly contested field. It is a particularly remarkable feat for a debut novelist that Sasha Vasilyuk’s Your Presence Is Mandatory (Bloomsbury, 2024) earned universal praise from celebrated writers across the former USSR diaspora community and far beyond. Gary Shteyngart wrote, “Wonderfully written, elegiac and necessary, Sasha Vasilyuk uncovers the history behind the recent headlines with great skill and grace.” Susanne Pari, author of In the Time of Our History and The Fortune Catcher, wrote, “An outstanding novel of sacrifice, love, and forgiveness.”

We celebrate this novel’s arrival with particular pleasure. A contributor to Punctured Lines, Vasilyuk participated in a number of events we’ve hosted over the years, and we’ve heard excerpts from this novel as she was working on one draft after another. In May 2024, Olga Zilberbourg interviewed Vasilyuk during a book release event at Telegraph Hill Books in San Francisco. The following Q&A is a follow-up to that in-person conversation. 

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Queer Encounters in the USSR and Russia, A Conversation with Sonja Franeta

Born in New York to Yugoslav parents, Sonja Franeta is a writer, educator, translator, and activist. In 1991, she was a delegate to the first Russian Lesbian and Gay Symposium, organized by International Gay and Lesbian Human Rights Commission (IGLHRC), and she helped facilitate LGBTQ film festivals in Russia.

From 1992 until 1996, Franeta collected video interviews with Russian gay, lesbian, and transgender people. Before Russia repealed its sodomy laws in 1993, some of the people she interviewed had served criminal sentences for homosexuality, while others experienced forced psychiatric treatment. In 2004, Franeta published the edited transcripts of these interviews in Russia, and later translated them to English in a book called Pink Flamingos: 10 Siberian Interviews (Dacha Books, 2017). These in-depth conversations allow us to learn her subjects’ life stories, as well as to understand the way they evaluated their experiences and conceptualized questions of identity and belonging.

In her second book, My Pink Road to Russia: Tales of Amazons, Peasants and Queers (Dacha Books, 2015), Franeta collected her essays on a wide range of topics. They include her childhood in the Bronx with a Croat mother and Serb father, her coming out story, her experiences as a female machinist and labor activist, and studying Russian literature, becoming a writer, and extensive travels across the former Soviet Union and the deep friendships she has formed there. Franeta’s writing is often very personal, exceptionally frank, and deeply insightful. Coming from a working-class background, she studied at NYU and UC Berkeley before rejecting the traditional academic path. In the 1990s, she taught English in Moscow and spent several years in Novosibirsk, working on a project for people with disabilities. 

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