A Character with a Secret Is an Easy Sell: A Conversation with Sasha Vasilyuk, by Olga Zilberbourg

A new novel set in World War II enters a crowded and hotly contested field. It is a particularly remarkable feat for a debut novelist that Sasha Vasilyuk’s Your Presence Is Mandatory (Bloomsbury, 2024) earned universal praise from celebrated writers across the former USSR diaspora community and far beyond. Gary Shteyngart wrote, “Wonderfully written, elegiac and necessary, Sasha Vasilyuk uncovers the history behind the recent headlines with great skill and grace.” Susanne Pari, author of In the Time of Our History and The Fortune Catcher, wrote, “An outstanding novel of sacrifice, love, and forgiveness.”

We celebrate this novel’s arrival with particular pleasure. A contributor to Punctured Lines, Vasilyuk participated in a number of events we’ve hosted over the years, and we’ve heard excerpts from this novel as she was working on one draft after another. In May 2024, Olga Zilberbourg interviewed Vasilyuk during a book release event at Telegraph Hill Books in San Francisco. The following Q&A is a follow-up to that in-person conversation. 

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Ugrinovich and the Sex Giant: Fiction by Anna Natalia Malachowskaja, translated by Anastasia Savenko-Moore

Anna Natalia Malachowskaja is a well-known Soviet and Russian author, feminist, and dissident. In 1979, together with Tatiana Goricheva, Tatiana Mamonova, and Julia Voznesenskaya, she wrote and edited a feminist samizdat publication Женщина и Россия [Woman and Russia] and later Maria. These publications were deemed anti-Soviet; the women were questioned by the KGB and forced to emigrate. Having settled in Austria, Malachowskaja completed her Ph.D. at the University of Salzburg. She turned her research into the Russian folklore character of Baba Yaga into a series of published books where she argues that the fairy tale character is a marginalization and amalgamation of three goddesses of the ancient world. In addition to her scholarship, Malachowskaja is the author of novels, collections of stories, and poems. Malachowskaja’s fiction is frequently accompanied by art. As an artist, she has exhibited her work in St. Petersburg, Vienna, and Salzburg.

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What Drives Me Nuts: Fiction by Naomi Marcus

I met Naomi Marcus through a mutual friend in San Francisco last year. Speaking fluent Russian, Naomi shared that in her youth she’d spent many years in the Soviet Union as a tour guide and interpreter. A journalist by training, when she returned to the US in the 1990s, she translated a book by a veteran of the Soviet-Afghan war; more recently, she has been reporting for Mission Local and San Francisco Senior Beat and helping Ukrainian refugees find their footing in the US. She told me that as she first landed in the USSR back in 1979, Leningrad was experiencing purportedly the coldest winter since WWII, a shock for a Californian. She felt very scared and alone, but soon fell in with underground rock musicians, and they helped her survive that winter. On her guitar, Naomi played for me Boris Grebenshchikov and Bob Dylan in alternating couplets, illustrating the paths of “influence.”

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Aikanush: An Excerpt from Akram Aylisli’s Stone Dreams, translated by Katherine E. Young

On February 9, 2013, Akram Aylisli’s books were burned in his native village. For more than six decades, Azerbaijan’s most prominent writer has written fiction about the mountain village of Aylis, from which he took his pen name; Aylisli called the day of the burning “the most terrible day of my life.” Why were his books burned? Aylisli had published a novella, Stone Dreams, that challenged official propaganda erasing the role played by Armenians in the history of Azerbaijan, a country currently dominated by ethnic Azeris (Azerbaijan and neighboring Armenia have engaged in military hostilities since before the collapse of the Soviet Union). Stone Dreams is among the first fictional works in the greater Turkic-speaking world to depict both historical and contemporary violence against ethnic Armenians, and it includes sympathetic portrayals of Armenian villagers residing in Azerbaijan. The novella also portrays the corruption and authoritarianism of modern-day Azerbaijan. In the uproar that greeted the novella’s publication, Aylisli was stripped of his presidential honors and pension. An empty coffin was paraded around the courtyard of his residence, and a bounty—later rescinded under international pressure—was offered to anyone who would cut off the writer’s ear. In 2014, international supporters nominated Aylisli for the Nobel Peace Prize for “his efforts to reconcile Azerbaijani and Armenian people.” In 2016, trumped-up legal charges were filed against Aylisli by the Azerbaijani government, a case that is still pending. Ten years after his books were burned, Akram Aylisli continues to live under de facto house arrest in Azerbaijan, unable to leave the city of Baku. He is 85.

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Readings by Authors Born in Ukraine, Russia, and Moldova at San Francisco’s Lit Crawl

Update: there has been a venue change. This event is now happening at Stage Werx Theatre, 446 Valencia Street.

Punctured Lines is co-hosting a Lit Crawl reading by six Bay Area writers born in Ukraine, Russia, and Moldova. Shaken by the horrific tragedy of the Russian invasion of Ukraine, we will read pieces exploring our connections, direct and indirect, to the part of the world we associate with home and exile, and where many of our friends and relatives are suffering as a result of the war. We work in the genres of nonfiction, literary and historical fiction, YA, flash, and other literary forms to tell our stories, and will read excerpts from our published and new work.

This event will take place at 5 pm on October 22nd at Blondie’s Bar Stage Werx Theatre, 446 Valencia Street in San Francisco .

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“Writing Fiction Allows Us to Build Bridges”: Ian Ross Singleton and Kristina Gorcheva-Newberry in Conversation

Punctured Lines is happy to host a conversation between Ian Ross Singleton, author of Two Big Differences (M-Graphics Publishing, 2021) and Kristina Gorcheva-Newberry, author of The Orchard (Ballantine Books, 2022). The novels’ synopses are below, and you can listen to the writers read excerpts here. Both of these works feature post-/late Soviet space, Ukraine in Two Big Differences and late Soviet/post-Soviet Russia in The Orchard. To support Ukraine in its fight against Russia, you can donate here and here, as well as to several other organizations doing work on the ground. If in addition you would like to support Russian protesters, you can donate for legal help here.

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From Black Panthers to Ukraine’s Orange Revolution and More: A Conversation with the Author of Revolutions of All Colors Dewaine Farria

Revolutions of All Colors (Syracuse UP, 2020) first came to my attention when we were putting together Punctured Lines’ 2021 Books for Review list. The novel’s description indicated that it featured African-American characters and was set, in part, in Ukraine. Intrigued, I looked it up and found myself completely immersed in the multi-generational saga that intertwines locations and histories that I had not previously seen connected.

This novel opens in New Orleans in the 1970s, with Ettie, a young African-American woman who, unsatisfied with what she perceives as her preacher father’s complacence in the face of racial violence, becomes involved with the Black Panther Party. The story details a dramatic incident of police brutality against the Panthers and the long-term repercussions of this violence.

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Books for Review, 2022

Punctured Lines is looking for reviews of the following recent and upcoming titles. Reviewers should have some expertise in terms of their chosen work, engaging substantively with its themes, structure, and techniques and using direct citation to back up claims. Each piece we receive for review undergoes a rigorous editing process, and we will provide potential reviewers with the guidelines. If you are interested in reviewing a work not on the list but that fits our overall themes of feminism, LGBT, diaspora, decolonialism, etc., please let us know. Thank you, and we look forward to working with you. Email us at PuncturedLines [at] gmail [dot] com.

We especially welcome reviews of Ukrainian titles.

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No One Is Guilty, Everyone Is Guilty: An Interview with Elena Gorokhova, by Sasha Vasilyuk

Elena Gorokhova’s A Train to Moscow (Lake Union Publishing) came out earlier this year to praise by J.M. Coetzee, Lara Prescott, and Kate Quinn, among others. Gorokhova was born and raised in Leningrad, Soviet Union, now St. Petersburg, Russia. After graduating from Leningrad State University, she moved to the United States, carrying one suitcase with twenty kilograms of what used to be her life. Elena is the author of two memoirs published by Simon & Schuster: A Mountain of Crumbs (2011) and Russian Tattoo (2015). A Train to Moscow is her first novel. Her work has appeared in The New York Times, The Daily Beast, New Jersey Monthly, and The Daily Telegraph, on NPR and BBC Radio, and in a number of literary magazines. She lives and teaches English as a Second Language in New Jersey.

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The Everyday and Invisible Histories of Women: A Review of Oksana Zabuzhko’s Your Ad Could Go Here by Emma Pratt

We at Punctured Lines are grateful to Emma Pratt for her review of Oksana Zabuzhko’s Your Ad Could Go Here (trans. Nina Murray and others). This review was planned before the war broke out and was delayed, among other things, by my inability to focus on much when it did. I am thankful to Emma for her patience with this process and for bringing Zabuzhko’s work to the attention of our readers. Please donate here to support Ukrainian translators and here to support evacuation and relief efforts.

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