Video from Born in the USSR: Diaspora Writers Against War

Thanks to those of you who could attend our event, Born in the USSR: Diaspora Writers Against War, hosted by the Wende Museum on March 28. We loved having you as our audience and hope to continue the conversations in various ways.

Thank you for donating to Ukraine Trust Chain. Ukraine needs all of our support. Please continue to spread the word and donate here: https://www.ukrainetrustchain.org/

The video from our event is now online:

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Born in the USSR: Diaspora Writers Against War

This one of a kind reading brings together Soviet-born writers as they weave together an intricate story of identity, memory, cultural intersections, immigration, and war. From fiction to poetry, memoir and journalism, and work in translation, the reading presents a deep dive into the individual and collective experiences of the Soviet-born diaspora in the U.S. This free event includes a fundraiser in support of humanitarian aid in Ukraine and aligns with The Wende Museum’s current exhibition “Undercurrents II: Archives and the Making of Soviet Jewish Identity.” Autographed books will be on sale, courtesy of Village Well.

Hosted by The Wende Museum, readers include poets, writers, and translators: Katya Apekina, Yelena Furman, Kristina Gorcheva-Newberry, Julia Kolchinsky, Arina Kole, Maria Kuznetsova, Olga Livshin, Ruth Madievsky, Ainsley Morse, Luisa Muradyan, Jane Muschenetz, Asya Partan, Irina Reyn, Diana Ruzova, Timmy Straw, Vlada Teper, Sasha Vasilyuk, and Olga Zilberbourg.

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What Drives Me Nuts: Fiction by Naomi Marcus

I met Naomi Marcus through a mutual friend in San Francisco last year. Speaking fluent Russian, Naomi shared that in her youth she’d spent many years in the Soviet Union as a tour guide and interpreter. A journalist by training, when she returned to the US in the 1990s, she translated a book by a veteran of the Soviet-Afghan war; more recently, she has been reporting for Mission Local and San Francisco Senior Beat and helping Ukrainian refugees find their footing in the US. She told me that as she first landed in the USSR back in 1979, Leningrad was experiencing purportedly the coldest winter since WWII, a shock for a Californian. She felt very scared and alone, but soon fell in with underground rock musicians, and they helped her survive that winter. On her guitar, Naomi played for me Boris Grebenshchikov and Bob Dylan in alternating couplets, illustrating the paths of “influence.”

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