Category: Poetry

“everybody knows . . .” An Excerpt from Nadezhda in the Dark by Yelena Moskovich

~ Olga Zilberbourg ~ 2 Comments

Today, in the US, we welcome a new book by Ukrainian-born American and French author Yelena Moskovich. Innovative Dzanc Books is bringing to us Nadezhda in the Dark, a novel-in-verse, previously published in the United Kingdom by Footnote Press. We’re deeply grateful to independent presses that make great books accessible to readers across the world. Please support Dzanc Books by ordering your copy today!

When asked to contribute our responses to this book, Yelena Furman said:

“Brimming with references from Russian and Ukrainian literatures to Alla Pugacheva and the Moscow 1990s gay club scene, Nadezhda in the Dark is a poetic disquisition on global history and self-identity. Discussions of Soviet anti-Semitism and the war in Ukraine merge with explorations of immigration and queer love. In language simultaneously lyrical and sharp, Moskovich shows how the personal and political, the present and past, are inextricably linked in ways that are often traumatic but also occasionally hopeful.”

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Video from Born in the USSR: Diaspora Writers Against War

~ Olga Zilberbourg ~ Leave a comment

Thanks to those of you who could attend our event, Born in the USSR: Diaspora Writers Against War, hosted by the Wende Museum on March 28. We loved having you as our audience and hope to continue the conversations in various ways.

Thank you for donating to Ukraine Trust Chain. Ukraine needs all of our support. Please continue to spread the word and donate here: https://www.ukrainetrustchain.org/

The video from our event is now online:

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Born in the USSR: Diaspora Writers Against War

~ Olga Zilberbourg ~ 2 Comments

This one of a kind reading brings together Soviet-born writers as they weave together an intricate story of identity, memory, cultural intersections, immigration, and war. From fiction to poetry, memoir and journalism, and work in translation, the reading presents a deep dive into the individual and collective experiences of the Soviet-born diaspora in the U.S. This free event includes a fundraiser in support of humanitarian aid in Ukraine and aligns with The Wende Museum’s current exhibition “Undercurrents II: Archives and the Making of Soviet Jewish Identity.” Autographed books will be on sale, courtesy of Village Well.

Hosted by The Wende Museum, readers include poets, writers, and translators: Katya Apekina, Yelena Furman, Kristina Gorcheva-Newberry, Julia Kolchinsky, Arina Kole, Maria Kuznetsova, Olga Livshin, Ruth Madievsky, Ainsley Morse, Luisa Muradyan, Jane Muschenetz, Asya Partan, Irina Reyn, Diana Ruzova, Timmy Straw, Vlada Teper, Sasha Vasilyuk, and Olga Zilberbourg.

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2025 Books by Post-Soviet Authors

~ Sasha Vasilyuk ~ 3 Comments

2025 is going to be a big year for books written by immigrant authors hailing from the Soviet Union who now call North America home. Since 2021, I’ve kept a running list of books coming out from our community as a way to keep tabs and, frankly, because no one else was doing it. Last year, when my own debut novel came out, there were only 7 books out from our community, a couple of them paperback editions of 2023 novels. This year, however, we have twelve new titles, plus three books–including my own–being released in paperback. A recent record! I imagine the war in Ukraine might have had something to do with this increased output as several of the authors below engage with the war and the resulting refugee crisis. As the war drags on and the public’s attention on it wanes, this feels like an especially critical time for our voices to be heard. This is why I’m glad to see that our books are finding publishers and readers, and I hope that the incredible variety of books on this list is encouraging to other writers in our community. From poetry to dystopian novels to short story collections, nonfiction, and a cookbook memoir, check out the list of FSU books and please support these authors by pre-ordering.

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Vinegret, a Recipe for Disaster by Jane Muschenetz

~ Olga Zilberbourg ~ Leave a comment

I want to tell you something small, in the great turning of this world, intimate as your grandmother’s soup. When you boil beets, carrots, and potatoes together, the potatoes will soften first, even if they are bigger than the other vegetables.

It is summer 2020, and my hands are Shakespearian (“out, damned spot!”)—beet stained. Our mid-century dining table is a stage set for “Salat Vinegret,” the Soviet-era culinary staple featuring ingredients that are readily available and inexpensive, even in wintertime. The supporting cast of bowls, knives, etc., isn’t from the old country, but is well practiced in recipes that travel back to my early childhood in L’viv, Ukraine.

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Poems Betwixt Paths: Herb Randall in Conversation with Irina Mashinski

~ Yelena Furman ~ 2 Comments

We are grateful to Herb Randall and Irina Mashinski for bringing us this interview about poetry, translation, music, and more. Both of them have appeared on Punctured Lines previously. An excerpt from Irina Mashinski’s hybrid poetry and prose collection The Naked World can be found here (while Herb Randall’s review of it in the Los Angeles Review of Books is here). At Punctured Lines, Herb Randall has contributed a personal essay about visiting Kharkiv and looking for traces of an English woman who moved there during Stalin’s reign and a review of Sana Krasikov’s The Patriots, about an American Jewish woman who also moves to Stalin’s Soviet Union (a clearly misguided endeavor from any country). We are very happy to have them back with the following in-depth discussion.

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Three Poems from Disbelief: 100 Russian Anti-War Poems, edited by Julia Nemirovskaya

~ Yelena Furman ~ Leave a comment

Today we feature three poems from the Russian-language anthology Disbelief: 100 Russian Anti-War Poems (edited by Julia Nemirovskaya; various translators; Smokestack Books, 2023). We are grateful for the following introduction written for Punctured Lines by Maria Bloshteyn, one of the translators of the collection. As she notes below, one of the featured poets, Galina Itskovich, is a therapist helping those in Ukraine; you can donate here to support this work.

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Books for Review, 2022

~ Olga Zilberbourg ~ 2 Comments

Punctured Lines is looking for reviews of the following recent and upcoming titles. Reviewers should have some expertise in terms of their chosen work, engaging substantively with its themes, structure, and techniques and using direct citation to back up claims. Each piece we receive for review undergoes a rigorous editing process, and we will provide potential reviewers with the guidelines. If you are interested in reviewing a work not on the list but that fits our overall themes of feminism, LGBT, diaspora, decolonialism, etc., please let us know. Thank you, and we look forward to working with you. Email us at PuncturedLines [at] gmail [dot] com.

We especially welcome reviews of Ukrainian titles.

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Irina Mashinski’s The Naked World, Three Excerpts

~ Olga Zilberbourg ~ 1 Comment

Irina Mashinski’s The Naked World, recently published by MadHat Press after many years in the making, is an impressive achievement in the hybrid genre. The collection combines pieces of original and translated poetry and prose that together illuminate not only the author’s past but also her way of seeing. Thematically, this book centers four generations of a Soviet family from the Stalin era to the 1990s and immigration to the United States. Writer, translator, and editor Irina Mashinski has penned ten books of poetry in Russian, and this is her English-language debut that also includes her Russian-language poems in translation by Maria Bloshteyn, Boris Dralyuk, Angela Livingstone, Tony Brinkley, Alexander Sumerkin, and Daniel Weissbort. Mashinski is co-editor, with Robert Chandler and Boris Dralyuk, of The Penguin Book of Russian Poetry and of the Cardinal Points Journal.

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Valzhyna Mort’s Music for the Dead and Resurrected: Review by Katsiaryna Lozka

~ Olga Zilberbourg ~ Leave a comment

The suburbs of Minsk, the Kurapaty forest, the night of October 29-30. Here, in 1937, the Soviet NKVD executed over one hundred Belarusian intellectuals, among them prominent writers and poets, including Aleś Dudar, Michaś Zarecki, Jurka Lavonny, and others. The brutally murdered Belarusians received no proper burial, and the tragedy was shrouded in silence until the late 1980s, when Belarusians began holding an annual action in memory of the Night of Executed Poets. This “forest of the unburied dead,” which is referred to in the poem “To Antigone, a Dispatch,” is the starting point for Valzhyna Mort’s third English-language poetry collection that lifts the curtain on history and life in Mort’s native Belarus. Starting from its title, Music for the Dead and Resurrected points to the cultural context where individual and national memories are constantly concealed, repressed, and distorted. Mort’s poems claim the remains of the past and attempt to reintegrate the fragmented national memories and narratives into the present.

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