Anastasia Edel’s writing for the New York Review of Books

I’ve been following Anastasia Edel’s the New York Review of Books Daily column, where she writes lyrical and thought-provoking essays about life in the USSR, often with a very contemporary hook. This week’s piece is called “My Chernobyl Vacation Friend,” tied to the recent popularity of the HBO series, and conveys the drama of how the Chernobyl survivors and people from the area were seen elsewhere in the USSR. How scared people were of each other.

Mother Winter — Sophia Shalmiyev

A Memoir, Simon & Schuster (February 12, 2019)
Agent: Jamie Carr, WME

Website: https://www.sophiashalmiyev.com/mother-winter

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Cover copy:

Russian sentences begin backward,

Sophia Shalmiyev tells us on the first page of her striking, lyrical memoir, Mother Winter. To understand the end of her story we must go back to her beginning.

Born to a Russian mother and an Azerbaijani father, Shalmiyev was raised in the stark oppressiveness of 1980s Leningrad (now St. Petersburg). An imbalance of power and the prevalence of antisemitism in her homeland led her father to steal Shalmiyev away, emigrating to America, abandoning her estranged mother, Elena. At age eleven, Shalmiyev found herself on a plane headed west, motherless and terrified of the new world unfolding before her.

Now a mother herself, in Mother Winter Shalmiyev recounts her emotional journeys as an immigrant, an artist, and a woman raised without her mother. Depicted in urgent vignettes that trace her flight from the Soviet Union and back again to find the mother she never knew, Shalmiyev’s story is an arresting, impassioned account that is equal parts refugee-coming-of-age tale, feminist manifesto, and a meditation on motherhood, displacement, gender politics, and art. Her years of travel, searching, and forging meaningful connection with the worlds she occupies culminates in a searing observation of the human heart and psyche’s many shades across time and culture.